Gallery Hours: Thurs–Sun 1 to 6

Rhea Anastas
Moyra Davey
Andrea Fraser
Nicolás Guagnini
Gareth James
Christian Philipp Müller
Jeff Preiss
R.H. Quaytman
Karin Schneider
Jason Simon
John Yancy, Jr.
Current Exhibition:

Future Exhibition:

Past Exhibitions:

Spring Wound
From One O to the Other
11 Sessions
Cookie Cutter
Calendar of flowers, gin bottles, steak bones
Image Coming Soon
Form of a waterfall. Sadie Benning
On The Collective For Living Cinema
Jef Geys
I Like You and You Like Me
Sylvia Rivera Law Project Art Opening
Around the Corner: Zoe Leonard, Petra Wunderlich, Christian Philipp Müller
Nicolás Guagnini: The Middle Class Goes to Heaven (2005–06)
Dan Graham: Death by Chocolate: West Edmonton Shopping Mall (1986–2005)

Heard Not Seen
Having Been Described In Words
Painters Without Paintings and Paintings Without Painters
Small Works For Big Change
Michael Asher, film screening
Stephan Pascher, Lucky Chairs

Martin Beck
September 11. 1973.
Part Three, "Last Minute"
Polish Socialist Conceptualism of the 70s
Part Two
Part One
Painters Without Paintings and Paintings Without Painters
Organized By: Gareth James

Artists: BANK, Simon Bedwell, J. St. Bernard, Daniel Buren, Merlin Carpenter, Nicolás Guagnini,Jutta Koether, Michael Krebber, Lucy McKenzie, R.H. Quaytman, Blake Rayne, John Russell, Reena Spaulings, Cheyney Thompson
Like the son of William Tell, standing there nervously with an apple perched on his head, caught between The State and its brutal enforcement of the Law(metonymically represented by a hat on a pole) and the distended individualism of his father, Orchard makes an attempt at a painting exhibition.

Perhaps now more than any other period in recent memory, the presumption of an immaculate self-identity between the objects that go by the name "painting" and the subjects given the name "painter" goes unquestioned. While we might welcome the new readiness to allow the practice of painting to generate its own historical and contemporary concerns, the new accord runs the risk of unreasonably delimiting the kinds of questions which may be posed in its name. Famously for Debord, the question was not whether filmmaker, writer, theoretician, anarchist was the better name to describe his practice, but how to refuse that nomination itself. Painters Without Paintings & Paintings Without Painters brings together the production of 14 artists and collaborative groups for whom facile identifications remain questionable.