Rhea Anastas is an art historian who teaches at The Center for Curatorial Studies and Art in Contemporary Culture (2001–)B.A. and M.A., Columbia University; Ph.D., Graduate School and University Center, City University of New York. Lecturer, Visual Arts Department, Mason Gross School of the Arts, Rutgers University (2001–03). Coeditor, Dan Graham: Works 1965–2000 (2001); Coeditor (with Michael Brenson), Witness to Her Art: Art and Writings by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne (2006). Recent articles include: "'Not in eulogy not in praise but in fact': Ruth Vollmer and Others, 1966–1970," in Ruth Vollmer 1961 –1978; Thinking the Line (Hatje Cantz 2006); "The Artist Is a Currency," with Gregg Bordowitz, Andrea Fraser, Jutta Koether, and Glenn Ligon, Grey Room 24 (Summer 2006); and "A Rendezvous Under the Counter: On David Joselit and Gareth James at Elizabeth Dee Gallery, New York," Texte zur Kunst no. 65 (March 2006). Her lecture about Andrea Fraser's Untitled 2003 is a book in-progress.